Posts Tagged ‘ classic crime ’

My Top 10 Albums and Songs of 2012

It’s that time of year, my friends! Countdowns galore have already been found all over the internet for peoples’ favorite stuff of the year, and typically I contribute a top 10 list of my own of some sort. This year’s list of favorite albums was actually much harder to put in order than last year’s (hence the week long delay). Last year my order of favorites was pretty clear-cut; this year the top 4 were actually really hard to rank in relation to each other because they’re all just SO dang good! So to keep myself from continuing to overthink it I just decided to post it and tell you to take the actual rankings with a grain of salt for #1-4; these are all records that I would highly recommend you listen to. I added my top 10 songs now as well, if nothing else at least go listen to some of those, they’ve all gotten a lot of plays from me this year and resonated with me on a very deep level. Enjoy!

#10: Tenth Avenue North, The Struggle

#9: Enfield, Rock of Ages (Live At Resolved 2012)

#8: Mike Mains & the Branches: Home

#7: Paper Route, The Peace of Wild Things

#6: Anberlin, Vital

#5: House of Heroes, Cold Hard Want

#4: David Crowder*Band, Give Us Rest

#3: The Classic Crime, Phoenix

#2: Andrew Peterson, Light For the Lost Boy

#1: Audrey Assad, Heart

I kept it off the top 10 since it’s technically not a full length album but my favorite EP of the year was also absolutely amazing and deserves a mention on this post:

The Digital Age: Rehearsals

Top 10 Songs of 2012:
#1. “Don’t You Want To Thank Someone” by Andrew Peterson
#2. “Oh Great God, Give Us Rest” by David Crowder*Band
#3. “Blessed Are the Ones” by Audrey Assad
#4. “Dead Rose” by The Classic Crime
#5. “All the Poor and Powerless” (All Sons & Daughters cover) by The Digital Age
#6. “Other Side” by Anberlin
#7. “Lament” by Audrey Assad
#8. “Worn” by Tenth Avenue North
#9. “Out My Way” by House of Heroes
#10. “Glass Heart Hymn” by Paper Route

7 Great Albums You Might Have Missed This Year

As in any other year, far too much great music has been released only to be largely overlooked by the masses, so with that in mind I just had to share some of those albums I’ve so enjoyed but have gotten so little attention. So here are 7 of those fantastic and underappreciated 2012-released albums you might have missed. Click on the album covers to listen to them on Spotify, unless the album isn’t on Spotify, in which case I linked it to a place you can listen to samples at least. If you’re interested in reading my review of the album, click on the album title. Please give some of these records a listen. Seriously, I doubt you’ll regret it. 🙂


Phoenix by The Classic Crime
Possibly my favorite album to come out this year, although a few have given it some tough competition. Every song on this fan-funded record is just so good! I’ve had it for over a month and I’m still thrilled every time I listen to it. If you like rock music, you have to go listen to this album. Favorite song: “Glass Houses”


Heart by Audrey Assad
This album is beautiful. There really isn’t a better word to describe it, at least from my experience of the music. Audrey’s songwriting is stunning, as are her compelling vocals and piano playing. Please, for the love of good music, give Heart a listen! Favorite song: “Blessed Are the Ones”


Cold Hard Want by House of Heroes
My most anticipated album of the year for sure. I have to say it didn’t disappoint- House of Heroes delivered more of the insanely tight and catchy rock music they’ve always excelled in, and the performance is absolutely top-notch. A deeply passionate and completely enjoyable rock record for sure. Favorite song: “Out My Way”


Light for the Lost Boy
by Andrew Peterson
This album is a true work of art. I’ve only been able to listen to it a couple times (it was taken off of Spotify! So I quickly ordered a CD and it’s on the way) but I can already tell it’s going to be on my top 10 list at the end of the year. Favorite song: “Rest Easy”


Home by Mike Mains & the Branches
This one caught my by surprise this summer. I don’t normally listen to a lot of true indie rock, but wow, Mike Mains & the Branches know how to deliver some fun indie tunes. Mike’s vocals are distinctly unique, the the album as a whole is just such a pleasure to listen to. Favorite song: “Matches”


Rock of Ages: Live at Resolved 2012 by Enfield
Recorded live at the Resolved conference in Palm Springs, CA this past June (which I attended), this album does what Enfield’s studio recordings have sometimes failed to do in terms of capturing solid full band performances of their songs that aren’t overpowered by strings. Their fresh arrangements of classic hymns are fantastic, and their incredible God-given talents shine through brilliantly on this recording. Favorite Song: “The Church’s One Foundation”


Homemade Worship by Handmade People
by Rend Collective Experiment
This fine group of talented Northern Irish musicians released their second album this year, and I was pleasantly surprised when I discovered it. Their brand of worship music is rock solid and musically creative and full. If you’re looking for some great worship music that has great lyrics without sacrificing musical integrity, definitely give this album a shot. Favorite song: “Desert Soul”

The Classic Crime – “Phoenix” Review


Released August 14, 2012

After losing all label support and not knowing how to proceed for a time, Seattle’s finest rock quartet The Classic Crime made a last-ditch effort to live on as a band by starting a campaign on a fundraising website called Kickstarter a few months ago; not even 24 hours later, the band had $30,000 in fan support to record their new album (with over $56,000 more that followed before the campaign ended). That new album has now arrived in the form of Phoenix, a fantastic record that lives up to every penny given to that Kickstarter campaign. Simply every aspect of this record shines, whether it be Matt MacDonald’s incredible vocals and songwriting, the band’s rhythmically compelling performances, or the top-notch production. Matt’s lyrics are also as pointed and thought-provoking as ever, this time in particular dealing with some of life’s many struggles (“Beautiful Darkside,” “You and Me Both,”) and the desire for a meaningful life (“The Precipice,” “Young Again”) among other themes. No matter who you are, these songs will definitely get you thinking about life and relationships in a deep way. “Glass Houses” is probably the finest track on the record with its compelling metaphor for judging and hating others as well as its grand musical scope. “Dead Rose” is also notably poetic and beautiful with its vivid imagery, “Heaven and Hell” is simply epic, and “The Precipice” is catchy yet quietly captivating. I could go on about every song on this record, but for your sake, I’ll cut this thing short and simply say that if you like rock music at all or are looking for some music that’s deep, affecting, and thoughtful, you should definitely give Phoenix a listen.

Top Highlights: “Glass Houses,” “Dead Rose,” “Heaven and Hell”

Buy It: BandCamp, Amazon (CD, MP3), iTunes

Vocal Few – “She’ll Be Right” Review


Released January 10, 2012
Listen on Spotify
Buy It: vocalfew.com, Amazon MP3, iTunes

“A guy and his wife making music.” In the simplest sense, I suppose this quote from Vocal Few‘s Facebook page sums them up. Vocal Few is, in fact, comprised of Matt MacDonald, lead singer and guitarist for Seattle rock band The Classic Crime, and his wife, Kristie. They just recently had their first child, and apparently this EP is meant to help them support this new baby girl. She’ll Be Right EP is not only worthwhile because it’s a way to help Matt and Kristie support their little girl, but also because it’s a simply delightful yet deeply moving, albeit rather short, set of songs.

The catchy and instantly likable “We’ll Make It Someday” starts the EP off strong. Kristie’s atmospheric piano playing provides a solid background as Matt’s guitar and vocals come in, and then the chorus is a real winner with some strong harmonies and sweet lyrics like, “However desperate and marginalized / we will be childishly hopeful and blind.” The EP’s slowest track, “The Fountain,” is next. It’s not one of my favorites but it has a sweet, swaying melody and beautiful lyrics about fulfillment. “Every Second” is easily the EP’s best track. There’s something deeply profound and moving about the lyrics (especially lines like, “Every second lived is worth each second of the pain”), and the melody carries the song beautifully. It’s one of those songs that feels just right, and I am quite confident it will be up with my favorite songs of the year. “Mexico” closes out the EP nicely with some solid guitar work from Matt and more sweeping melodies and nice harmonies.

For those accustomed to The Classic Crime’s signature rock sound, it might be a little surprising to hear Matt’s voice in this sort of acoustic, singer/songwriter sort of context, but he pulls it off brilliantly while still holding on to those qualities that make his voice so strong and distinct. Matt and Kristie complement each other very nicely, both with their instruments and their voices. The harmonies are sweet, and the unity of the piano and guitar is impeccable. Unfortunately, the EP is rather short with only four tracks, but what it lacks in quantity it makes up for in quality. I have no real complaints about the songs and how they are performed: She’ll Be Right is an enjoyable and well made release.

Classic Crime fans might be in for a bit of a surprise, but it’s most definitely a pleasant one. It’s very different even from Crime’s acoustic Seattle Sessions, but in that contrast, Matt’s versatility as a musician shines. He and his wife complement each other perfectly to deliver a short but sweet collection of songs. I unreservedly recommend She’ll Be Right to anyone remotely interested in this kind of music, and even if you don’t love it as much as I do, at least you’ll be helping the MacDonalds buy some diapers!

Top Highlights: “Every Second,” “We’ll Make It Someday,” “Mexico”

Happy Nihilist = Oxymoron

The New American Oxford Dictionary defines ‘nihilism’ as, “the rejection of all religious and moral principles, often in the belief that life is meaningless;” a nihilist, then, is one who holds this belief that life is meaningless. The question I want to raise is this: can there be a happy nihilist?

This question was brought to my attention by a song called “The Happy Nihilist” by a fantastic Seattle-based rock band called The Classic Crime. Aside from the song being incredibly catchy and tightly executed musically, the lyrics have always caught my attention, and not just because Matt MacDonald was bold enough to purposefully misuse the word “hell” in the chorus (which, in the context of the song, is effective in the way they use it to help convey the song’s message and make it realistic. But that’s another conversation altogether). The lyrics tell a story about a “happy nihilist” who, despite his belief that his existence is meaningless, is searching for answers, and the song’s choice of words really makes you realize that, despite claiming to be happy in the beginning, he is really not happy or content at all… and then by the end of the song he finally confesses that he really is not happy, and thinks, “I was a happy nihilist, now I’m wondering why I exist.”

If you believe your existence is meaningless, then what are you living for? If you don’t think anything has meaning, then you might be living for something or someone, but you certainly have nothing worth living for, in your view. If you have nothing meaningful to live for, can you ever possibly have true happiness? Maybe you could take joy in a moment or a bit of good news, but it’s all pointless in the end because it ends! With that belief, can you have any kind of lasting happiness or joy? I don’t think it’s possible.

If there is nothing with true meaning or purpose, then happiness is a tragically unattainable fantasy. Accepting the truth that there is a God who made this world, and you, gives this life so much value and meaning. Accepting the salvation from sin that same God has offered through the sacrifice of His Son Jesus Christ is ultimately the only way anybody is going to have any lasting joy, because nothing else lasts forever.

Remember also your Creator in the days of your youth, before the evil days come and the years draw near of which you will say, ‘I have no pleasure in them’; before the sun and the light and the moon and the stars are darkened and the clouds return after the rain, in the day when the keepers of the house tremble, and the strong men are bent, and the grinders cease because they are few, and those who look through the windows are dimmed, and the doors on the street are shut- when the sound of the grinding is low, and one rises up at the sound of a bird, and all the daughters of song are brought low- they are afraid also of what is high, and terrors are in the way; the almond tree blossoms, the grasshopper drags itself along, and desire fails, because man is going to his eternal home, and the mourners go about the streets- before the silver cord is snapped, or the golden bowl is broken, or the pitcher is shattered at the fountain, or the wheel broken at the cistern, and the dust returns to the earth as it was, and the spirit returns to God who gave it. Vanity of vanities, says the Preacher, all is vanity.” Ecclesiastes 12: 1-8